Tarik was born in Babylon. As a child he would go to the banks of river Euphrates and play with the clay, fashioning it into various forms unaware that this activity would inspire his life’s work. He would wander to nearby Babylon to gaze at the great ruins, not knowing that one day his own statues would stand in the Iraqi Museum close to his inspiration. His dialogue with the clay reflects the struggle for justice throughout history and his love of humanity. Tarik’s statues link past legends with the present

My artwork philosophy

 The themes of my actions are in the embodiment of the human love, beauty and intrinsic value, and the act of deliberate killing and the act of war in the elimination, and thus the elimination of minds that may be able to change the course of life. I wonder, among the enormous numbers wiped out by wars and abnormal political situations, how many Einstein, how many Picasso, how many Newton, how many Marquis and Steinbeck were eliminated before they put their mental and creative abilities at the service of humanity? This damned machine, called war, and these inhuman policies put an end to many creations before they were bor

Modern rhythms with Babylonian roots

Tariq is known, the artist was able to embody his sense of sculpture, and makes it translates the longing himself and his confusion in front of a haunted world of oppression and deception .. entered into a silent dialogue with mud marked a than his desire to landmarks in the impossible challenge ... Arhvt feelings, feelings alienation and travel and search for hope in the midst of variables, Vhaor bronze material and make it a melody translates event in all its details, and create units of it carried the plastic language characterized his work and Jsmt made his mark Almmeltsagh reality and derived strength from its roots stretching in the old